In a geometric “drawing” Bonafede employs the yellow numbered lines on a parking lot to order a composition of increasing circular forms made of shaving cream. The dancer/choreographer, Nataraj, sits patiently in a chair until Bonafede is midway through adding circles to the last lane. The scultpor Ebihara finds garbage on the side of the lot and creates a parked car and airplane (mostly unseen), additional forms that Nataraj interacts with. With the Phillip Glass score rising to a crescendo, Nataraj defies spacial conceptions before Bonafede adn Ebihara decide to start erasing their forms. The lot is doused with buckets of water, dissolving the transient, transit themed set.